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Pieter Lastman
The Angel of the Lord Preventing Abraham from Sacrificing his Son Isaac
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ID: 88423
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Pieter Lastman
(1583 - 4 April 1633 (buried)) was a Dutch painter . Lastman is considered important because of his work as a painter of history pieces and because his pupils included Rembrandt and Jan Lievens. In his paintings Lastman paid a lot of attention to the faces, hands and feet.
Pieter Lastman was born in Amsterdam, the son of a town-beadle, who was dismissed in 1578 for being a Catholic. His mother was an appraiser of paintings and goods. His apprenticeship was with Gerrit Sweelinck, the brother of Jan Pieterszoon Sweelinck. Between approximately 1604 and 1607 Lastman was in Italy, where he was influenced by Caravaggio (as were the painters of the Utrecht School a few years later) and by Adam Elsheimer. Back in Amsterdam he moved in with his mother in the Sint Antoniesbreestraat, living next to mayor Geurt van Beuningen. Lastman never married although he promised to marry the sister of Gerbrand Adriaensz Bredero. Because of his health Lastman moved in with his brother in 1632. He died the next year and was buried in the Oude Kerk. Related Paintings of Pieter Lastman :. | Susanna and the Elders | Der Engel und Tobias mit dem Fisch | King David Handing the Letter to Uriah | Triumph of Mordechai | The Triumph of Mordechai | Related Artists: ANSALDO, G AndreaItalian painter, Genoese school (b. 1584, Voltri, d. 1638, Genova) Monedero, Angel LizcanoSpanish, 1846-1929 Evert Oudendijck (1650, Haarlem - 1695, Haarlem), was a Dutch Golden Age painter.
According to Houbraken he painted stag hunts and other hunting scenes in landscapes, along with the artist "Drossaart". He was the father of Adriaen Oudendijck.
According to the RKD he was registered in the Haarlem Guild of St. Luke in 1663 as the pupil of Adriaen van Ostade which would make him about 15 years old at that time.His registration as a member of the guild in 1646 is therefore impossible.
Though Evert Oudendijk is listed in the Haarlem guild register as a member in 1646, he probably became a member in 1664 (a year suspiciously lacking member registrations), like other members mistakenly registered in 1646, such as Evert Collier and Egbert van Heemskerck. He is listed two other times in the Haarlem guild; in 1663 (listed as Ostade's pupil "Evert Adriaanszen van Oudendijck") and as painter in 1670.
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All the Alma Tadema's Oil Paintings
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